The 9 Confucian Ways of Thinking

Even if they don't always know how it happened, most Westerners have heard about the influence of Zen and Taoism on traditional Asian Fighting Arts. 

What is less well know though, is the immense influence that Confucius had on them. 

Let me give you just one example :

Confucius elaborated on the concept of "thinking" by saying that if you wish to become a cultivated person you should possess nine ways of thinking, these being:

1. when looking at something, think about seeing it clearly;
2. when listening to something, think about hearing it clearly;
3. when showing facial expressions, think about keeping a warm attitude;
4. when behaving, think about keeping a manner of respect;
5. when speaking, think about speaking honestly and plausibly;
6. when conducting some business, think about doing it carefully;
7. when you are puzzled or have a problem to solve, think about seeking advice from others;
8. when becoming angry, think about calming yourself; and
9. when seeing there is a profit to be made, think about whether it is proper to pursue that profit.

If you now consider the 5 precepts of Yoshukai Karate : 

Respect and Manners

Be prudent in Speech, 

Be prudent in action

Keep High spirit

Keep yourself clean

It becomes quite clear how much our arts were influenced by Master Kong...

Iai Jutsu Seminar

I had the honor and pleasure to teach a Iai Jutsu Seminar on May 4 and 5, 2012, for Yoshukai Karate Black Belts of the Oxford - Anniston area. Altogether about 20 people attended the event. 

I had planned 3 parts to this event : 

• Basics of Iai Jutsu : How to draw the Sword - Nukitsuke, the classic vertical cut Kirioroshi and how to put the sword back into the sheath - Noto.
• Yoshukai Iai. practice and Bunkai
• Eishin Ryu Iai. practice of a few waza wastly different from Yoshukai Iai.

But the time went so quickly Friday evening that I was not able to present what I had originally planned. We just could go through 4 of the Yoahukai Ia waza, , and the Tsuredachi and Somakuri waza of the Okuden Tachiwaza set of the Eishin Ryu school.

During Saturday morning session we reviewed some of the moves practiced Friday, and practiced a few others. 

Overall, everybody was very pleased. I am very thankfull to all those who made this event possible for their help and hospitality. Being able to share what I have been taught by gifted instuctors is a rewarding and meaningful thing.

We will organize a longer lasting event after our Yoshukai Summer Camp to be held on June 15. 

Keep in touch !

Yoshukai Chaperones go to France

Shihan Travis Page and I traveled to France in November 2011. I had planned a few classes and demonstrations to promote Yoshukai Karate. 

On November 21, we visited my friend and previous Nihon Tai Jitsu instructor Mr Jean Luc Lemoine at his Tai Jitsu kan Dojo in Rouen.

Jean Luc had suffered a heart attack the week before, and we proposed to teach his Monday night class for him. 

We got on the mat with his students and Mr Page taught them a number of his signature street and bar fighting techniques, while I was trying to translate some of the details.

Nihon Tai Jitsu incorporates techniques found in mainstream Budo such as Karate, Aikido, Judo. Students ranged from 7th Kyu to Niddan, The class lasted about 2 hours. The enthusiasm and efficiency of Mr Page, and the practicality of his waza - chokes, throws and strikes - were highly appreciated by all. Mr Page had to come home early and we did not get the opportunity to work out with the local branch of Kyokushinkai Karate which is has been getting more and more popular in France for the past 10 years. Another trip will be needed...

On November 25th, I myself had the pleasure to train with my friend and Kendo Instructor Francis Hollier, at the Kendokai of Friville Escarbotin, when Mr Page and I gave classes several years ago on 2 occasions.

Overall, Yoshukai Karate and its Spirit are appreciated for its simplicity and efficiency. It should be kept this way. 

If it works, practice it, if it does not, drop it.

Travel to Europe

Shihan Travis Page and I will be traveling to France for 2 weeks to save the Euro Zone, as well as visiting with family and friends. We plan to train there with my Ju Jitsu instructor and friend Jean Luc Lemoine and Kendo Instructor and friend Francis Houlier of the Kendokan, and possibly meet some of my old Ju Jitsu students

While I am gone there won't be any Zen or Martial Arts activities at the Yoshukai Dojo (Beside Yoshukai Karate of course)
 

You are welcome to meet to train in Tai Chi Tuesday and Thursday mornings.  Geri's will be your instructor at Westgate. 

I plan to fly back once the Euro Zone is saved, on November 29th, that is a Tuesday, and we will resume normal classes on December 1st with Tai Chi and IaiJutsu

May all of you have a happy Thanksgiving among your loved ones.

PS : do not forget our December celebrations :

• December 10th : Zazenkai at the Jap House in Headland.
• December 17th : Iaijutsu  Seminar at 11:00 as usual at the Yoshukai Dojo, followed by a joint Budo - Zen BYOB Christmas party at the Headland Jap House.

Japanese fencing has no ‘blocking’ or ‘defending’ techniques

A very interesting idea...

"Japanese fencing has no ‘blocking’ or ‘defending’ techniques... It is useless simply to just stop or block the enemies attack. In deflecting or receiving a blade you must instantly turn it into an attack." (see the whole text below)

I never was very strong, and it is not going to get better with age. Whether in Karate or Kendo, I am reluctant to blocking a strong technique from my opponent, for I know that if that technique is very strong, it might well go through my block (I have a few of my Yoshukai friends in mind here : Travis Page, Paul Turner, James Ronnie...)
So I like the idea: no block, but deflect and counter in a same move.

The practice of Eishin Ryu Iai jutsu and Itto Ryu Kenjutsu, have helped me use that concept in Kendo shiai. The result is: less fatigue, I can last longer. Lasting longer is good, it helps you outlast your opponent until he is tired, then win. 

So, how do I apply this to Karate? I am not sure.  I am looking into this, and I'm not too successful so far. I have to find new techniques, and forget about the old ones, too strong, too straight. Little by little...

Takano Sasaburo (1863 - 1950) of the Ono Ha Itto Ryu, was an instructor at the Tokyo Shihan Gakko (Tokyo Teacher's College). The pPesident of the college was Kano Jigoro (1860 - 1938), founder of Modern Judo. (We are in good company...) The College housed the first department of Physical Education in Japan and was the first school to train martial art instructors for public schools.

Takano Sasaburo took the 68 shinai techniques of Chiba Shusaku Narimasa and reduced their number down to 50 techniques. He then revised  them so they could be practiced by school children using relatively short (but still longer than most steel swords) shinai.

Takano Sasaburo explained this teaching curriculum in a series of books still studied today.

Japanese fencing has no ‘blocking’ or ‘defending’ techniques. Against an enemy's attack, we evade, cut through their blade (kiriotoshi), or deflect and strike (ukenagashi). These cannot be categorized as blocking as these actions are done with the objective of cutting or thrusting the enemy. All these techniques are used to place yourself in an advantageous position. For example, when you are doing kiriotoshi the goal should be to cut the enemies body, and the instant you perform ukenagashi you must turn your blade and strike him. While doing this you must not even allow the tiniest opportunity for the enemy to attack you.

Its useless simply to just stop or block the enemies attack. In deflecting or receiving a blade you must instantly turn it into an attack. Simply blocking/stopping the enemies attack is not beneficial (in defeating your enemy).

Therefore, the merit of kendo is using “sen sen no sen” to take the lead and attack with strong resolution and overwhelming power, all the time without leaving any opening for the enemy to attack you. This will lead to a superb victory.

If you stop to think for a while, this method is not simply about flying blindly into an attack; rather it's about spending a long time working out when the right time is to attack, learning about what works when and what doesn’t (the principles)… only after you do this can you gain (true) victory.

(This is an excerpt from the excellent blog KENSHI247)

We can practice our arts in this way. Karate may be a little trickier, I will keep trying and let you know how I'm doing with it... There are a good supply of strong young stallions at the Dojo, always eager to see what they can do against the old man... There are even a few fighters I would rather have on my side than against me in a bar fight. I am thankful for them.  

"A vaincre sans péril, on triomphe sans gloire". 

There is no glory in winning if you take no risk.

And then, how about applying this to Zen ?

Mugen and Yosei no Sai : Yoshukai only Kata

Yoshukai Karate has numerous open hand and weapon kata.

There are however 2 Kata that are purely Yoshukai.

MUGEN  - 無限 - means Endless, or Infinity. This open hand Kata was created by our Grandmaster Katsuoh Yamamoto.

YOSEI NO SAI was created by Sensei Hiroyuki Koda (1944-1997). 

"Yosei" has 2 meanings. One is "Ocean". But "Yosei" is also an other way to read Sensei Koda's first name "Hiroyuki". 

So that "Yosei no Sai" means "Sai of the Ocean", and it also means "Hiroyuki's Sai".(Sensei Koda's Sai)

This was explained to me by Sensei Hiroaki Toyama at the Yoshukai Winter Camp in 2011.


(And Mugen is also my Dog's name...)

MUSASHI's Precepts

Miyamoto Musashi (宮本 武蔵) (1584–1645), also known as Shinmen Takezō, Miyamoto Bennosuke, or by his Buddhist name Niten Dōraku, famous for his duels and distinctive style. He was the founder of the Niten Ichi ryū style of swordsmanship (at the origin of Yoshukai Karate Iaido moves) and the author of The Book of Five Rings (五輪書, Go Rin No Sho).

Musashi was also an artist and has left us some very powerful paintings. 

He also practiced Zen under Master Takuan Soho (see my other post on this matter) who also trained Musashi's the other famous swordsman Yagyu Munenori. 

By the end of his life Musashi formulated a series of precepts he recorded under the title "Following the Solitary Path"

These precepts are fitted to the life of Ronin devoted to forging his mind and body. 

The emphasis on not being attached to possessions, ideas and persons is evident.

It is not possible to know whether Musashi was influenced by Buddhism in his formulation of his precepts, or if Zen was simply a perfect practice for someone who lived according to these precepts.

It is easy to understand however, how Zen with its emphasis on non attachment, perfectly fitted the Samurai way of life and why it was so quickly accepted by the ruling class of Japan.

MUSASHI's Precepts

1. Do not violate the laws of Society (Accept everything just the way it is)

2. Do not seek comfort for yourself.

3. Do not have preferences (be free of bias).

4. Think lightly of yourself and deeply about the affairs of the world.

5. Be detached from your desires throughout your whole life

6. Have no regrets regarding personal matters.

7. Never be jealous or envious of others.

8. Do not grieve over a separation from something or someone.

9. Do not hold grudges over yourself or others.

10. Do not let yourself be fooled by lust or love.

11. Do not get infatuated over physical objects

12. Do not wish to settle down.

13. Do not seek the taste of good food.

14. Do not hold on to the things you have.

15. Do not act following customary beliefs.

16. Do not become obsessed with having splendid weapons.

17. Do not fear death.

 

 

 

 

 

 

 

Horse by Myamoto Musashi

18. Do not seek to accumulate money or possessions for your old age.

19. Venerate Buddhas and the gods but do not rely on them.

20. Abandon self interest, do not seek fame or fortune.

21. Never stray from the Way.

Commitment

Last month of May, I had to vent some frustration in a post about the low attendance to a Yoshukai Seminar held here in Dothan. 

Today, I'd like to express my happiness at a good example of Dedication and Commitment.

Last Saturday, we were testing in Iaido. at the Yoshukai Dojo in Dothan. Ron, Fred and myself were testing for Shodan -Ho, an intermediate rank between 1st Kyu and Shodan, and Chris was testing for his 7th Kyu. This was Chris' first test in Iaido.

Chris - who also ranks 4th Dan in Yoshukai Karate - works at the Fairley Nuclear Plant, the plant is presently stopped for refueling and maintenance, and people there are working shifts to reduce the down time to a minimum. This means 12 hours shift for the workers. These are hard working days, I know it, I did it for several years in a previous life as a young engineer.

So basically, after his 12 hours shift, Chris got off work, drove 20 miles to Dothan where he met Fred for breakfast and then trained with him. Then he came to the dojo and tested. Finally, he was able to go home and sleep after a 22 hours day. 

Now, this is commitment. 

Chris could have decided he had already had a long day, was tired and the hell with the test, I'm going to bed. 

If all of us would put in everything we do the effort Chris put into his practice, training and testing, no doubt things would probably be easier on everybody in this world.

By the way, all of us passed the test - thank you to Patty Sensei who drove from Pensacola to test us - an other beautiful example of commitment and dedication. 

Yours in Budo.

20 principles of Karate

Gichin Funakoshi ( 1868 – 1957)  is generally considered as the father of modern karate. He was one of the Okinawan Masters who introduced karate to the Japanese mainland at the begiining of the 20th century. He also was school teacher and one of the Karate teachers of Dr Tsuyoshi Chitose Founder of Chito Ryu Karate, himself teacher of our Grand Master Mamoru (Katsuo) Yamamoto, Founder of Yoshukai Karate.  

Here are the 20 principles of Karate per Funakoshi Sensei.

Read them. Chew on them, this may not exactly mean what you first would think...

1. Karate-do wa rei ni hajimari, rei ni owaru koto wo wasuruna.

Karate begins and ends with courtesy.

2. Karate ni sente nashi.

There is no first attack in karate.

(Please consider this one very carefully, it is poorly understood by lots of people...)

3. Karate wa gi no tasuke.

Karate is an assistance to justice.

4. Mazu jiko wo shire, shikoshite tao wo shire.

First know yourself, then others.

5. Gijutsu yori shinjutsu.

Spirit before technique.

6. Kokoro wa hanatan koto wo yosu.

Be ready to free your mind.

7. Wazawai wa getai ni shozu.

Accidents come from laziness.

8. Dojo nomino karate to omou na.

Karate training goes beyond the dojo.

9. Karate no shugyo wa issho de aru.

You'll never stop learning in karate.

10. Arai-yuru mono wo karate-ka seyo, soko ni myo-mi ari.

Karate applies to everything. Therein lies it’s beauty.

11. Karate wa yu no goto shi taezu natsudo wo ataezareba moto no mizu ni kaeru.

Karate is like boiling water. If you don't give it heat, it will cool down.

12. Katsu kangae wa motsu na makenu kangae wa hitsuyo.

Forget about winning. Instead, make sure you never lose.

13. Tekki ni yotte tenka seyo.

Adjust your techniques according to your opponent.

14. Tattakai wa kyo-jitsu no soju ikan ni ari.

The outcome of a fight depends on how you take advantage of weaknesses and strengths.

15. Hito no te ashi wo ken to omoe.

See your hands and feet as swords.

16. Danshi mon wo izureba hyakuman no tekki ari.

When you step outside your door, you face a million enemies.

17. Kamae wa shoshinsha ni ato wa shizentai.

Fixed stances are for beginners; later, one moves naturally.

18. Kata wa tadashiku jissen wa betsu mono.

Kata is practised in a perfect world, real fight is another story.

19. Chikara no kyojaku, karada no shinshuku, waza no kankyu wo wasaruna.

Hard and soft, tension and relaxation, quick and slow, all connected in the technique.

20. Tsune ni shinen kufu seyo.

Think of ways to apply these precepts every day.

The Value of Traditional Kata

During the last edition of the Yoshukai Tournament in Dothan on October 30, 2010. I was watching a weapons kata competition. 2 black belt were opposed in that group. One competed with a traditional sai kata - Yosei no Sai, one competed with a non traditional Sword Kata.

The traditional Sai kata was that : Traditional. There needs to be nothing flashy about fighting. If you watch the video of Yamamoto and Koda Sensei performing Sai tai Bo, you will see nothing fancy, but sharp and short moves right to the point. Basically if you are in front of  someone who masters all the moves of Yosei no Sai, it is going to be very difficult to reach them unless you own a a gun.

The Sword Kata was very fancy, a mixture of Iaido and twirling baton, that flashy sword was everywhere, flashing in everybody's eyes. Yes, it was impressive to the untrained eye. jumps, multiple drawings, loud kiai... But practically, anyone with 2 to 3 years of traditional kendo or kenjutsu training could have cut in the middle of this dance with a mere boken (Wooden sword) or Jo (short wooden staff)  and whacked senseless the competitor on the head. 

Nevertheless, this last competitor, even after being unable to properly perform noto (slide the blade back in its sheath) won the trophy.

After all these years, even if I should have gotten used to this kind of things, that just made me angry. I still can't accept mediocrity. The problem is not in the competitor, but in the judges who let such fallacy go on. Here we had 5 judges supposedly highly competent in their own style of Martial Art, and they graded a flashy dance without any martial value above a well executed traditional form. If these persons are not able to see the actual fighting value of a traditional kata properly executed, versus a non traditional routine poorly done, maybe they should not be judging in a Karate Tournament. 

Chris Wheeles performed the Sai Kata in Dothan. He just opened his own Dojo in Gulf Shore, AL. If you wish to practice good and traditional Karate, give him a try.

Knockdown Fighting

Last July 24 World Yoshukai Karate held theio knockdown tournament in Oxford, Alabama. This is a fighting only tournament, no kata, no weapons, just plain fight.

In the morning I was judging the kids semi-knockdown fights. Some young kids - 8 or 9 years old - were bravely going at it, fighting pretty hard. Good thing they used protections...

And I wondered while watching them : "What are we doing here ? Teach those kids how to be mean and violent ?"

As instructors we have to keep in mind that the only valid justification for this kind of event and fight is to develop character. Fighters suffer, they win, they lose, suck it up, train harder, and come back til they win. 

Winning feels really good. But this feeling does not last and can become addictive. After the celebration, not much is left of it. The real learning, and improving, we derive from the fights we lost.

So no matter what happens, be thankful to your opponent, who helped you learn a good lesson for life : the lesson that by training hard, one is able to overcome one's fears, laziness, weaknesses... and become a stronger and better person.

Yes, we will meet nasty fighters who have no manners and whose goal is only to win, at all cost, who might even cheat on us. Sometimes the judges might make poor calls, because they did not see the action, or even because they are biased in favor of your opponent. We might lose a fight we should have won. It's happened to me a few times.

We still can learn from losing in an unfair match. 

 

We fight to become better person, to acquire will power, resilience, patience. Little by little, we are changing, we are building a better self, acquiring the experience and courage we need to help those who need it around us.

Let's not lose sight of this...

Iaido - Zentekigyakuto

Another video taped at the Dothan Botanical Garden last Thursday with my students, in the first part a group practice of the Sword waza "Zentekigyakuto", the 7th one of the "Batto-Ho" series. In the 2nd part the Bunkai practice of the same move.

Batto Ho is a group of waza common to several Styles of Iaido, including Muso Jikiden Eishin Ryu.

the one we study in Dothan at the Yoshukai Dojo and in Pensacola at the Big Green Drum Dojo. 

In our Bunkai interpretation of Zentekigyakuto, the two opponents walk in the same direction. As Uchidachi (the bad guy) turns and draws his sword up to cut Shidachi (the good guy), this ones stops him by an upward draw (Kiri age) toward his hands or face and keeps pushing him back. As Uchidachi steps back he is off balance and Shidachi cuts him in an oblique cut (Kesa Giri).

There are 2 versions of Zentekigyakuto, depending upon how fast Uchidachi retrreats, Shidachi takes one or two steps toward him before cutting. The finishing oblique cut is to the Right or the Left, depending upon which foot is forward (it is advisable to cut away from one's own foot).

As previously stated for our other videos this is not a perfect demonstration, but simply an example of what we practice in our Iaijutsu class at the Yoshukai Dojo in Dothan, Alabama. If you wish to see the real stuff, please refer to Masayuki Shimabukuro Sensei videos : Samurai Swordmanship

The Bunkai is our own interpretation of a situation where Zentekigyakuto could be used. There are of course other possible interpretations. I invite you to figure some out and post videos on Youtube for us to compare and discuss. Remember however that Sword Practice, even with a Boken (wooden sword) can generate serious wounds.

Bunkai practice brings an element of reality in the practice of all our waza (or kata in other martial arts) it forces us into taking into account various elements such as terrain, light, distance and timing, which are not easily taken into account in the Dojo. 

Good luck in your practice.

IAIDO : Zantotsuto

Another video taped at the Dothan Botanical Garden last Thursday with my students, in the first part a group practice of the Sword waza "Zantotsuto", the 6th one of the "Batto-Ho" series. In the 2nd part the Bunkai practice of the same move.


Batto Ho is a group of waza common to several Styles of Iaido, including Muso Jikiden Eishin Ryu.
the one we study in Dothan at the Yoshukai Dojo and in Pensacola at the Big Green Drum Dojo.

In our Bunkai interpretation of Zantotsuto, the two opponents walk toward each other. As Uchidachi (the bad guy) raises his hands to draw his sword, Shidachi (the good guy) stops him by drawing faster right on top of his hands. As Uchidachi steps back Shidachi follows him with the intention to skewer him (Tsuki attack). Uchidachi draws his sword under Shidachi's sword and tries to whack it out of the way by hitting it upward with his own sword. However, Shidachi keeps pushing and cuts Uchidachi, either in a vertical downward cut (Kirioroshi) or in a forward slicing cut of his hands.

As previously stated for our other videos this is not a perfect demonstration, but simply an example of what we practice in our Iaijutsu class at the Yoshukai Dojo in Dothan, Alabama. If you wish to see the real stuff, please refer to Masayuki Shimabukuro Sensei videos : Samurai Swordmanship



The Bunkai is our own interpretation of a situation where Zantotsuto could be used. There would be other interpretations, and I invite you to figure some out and post videos on Youtube for us to compare and discuss. Remember however that Sword Practice, even with a Boken (wooden sword) can generate serious wounds.

Good luck in your practice.

Bunkai

Last Thursday we went to the Dothan Botanical Garden to practice and tape Bunkai of 4 Bato-ho Waza : Tsuigekito, Shato, Zantotsuto and Zentekigyakuto.

Bunkai is a practical application of a solo practice move.

Bunkai can be very obvious, specially in basic kata such a Yoshukai Kion Kata Shodan, the moves are mostly combinations of inside middle blocks and direct front punch. 

In some other cases, such as old forms or kata which might have been modified for various reasons by generations of instructors, Bunkai may not be evident. When a master created a form, he might have had one, or several bunkai in mind for each move of the form. So there may be several possible and legitimate bunkai for every move or waza of a form, or kata.

Why practice Bunkai ? Because they bring an element of reality in our individual practice. Martial Arts are not about grace and elegance. Kata should be practiced to develop safe and automatic reactions to real life-threatening situations. If in our practice we perform an approximative, wrongly angled and timed move, in real life this may translate into injury.

So Bunkai practice with a skilled partner really attacking will help you feel and understand the actual meaning of the move. There is nothing like being hit to realize we were doing something wrong - or unskillful. It will also help you realize that the form (Kata - Waza) which some instructors insist is absolutely immutable has to be adapted to take into account size, distance and timing of an actual attack - if when you take one step as requested by the book you are too short, then take a second step...

Once you fine tuned your practice through bunkai practice with different partners of different size, speed and experience, then you can go back to your individual practice and visualize what you really are doing. This brings a totally different dimensions to your practice, and you will also realize the why's of some details you had never wondered about.

Knife Self Defense

Another great Self defense segment by Shihan Mike Leverett and Travis Page from the Yoshukai Karate Dojo in Auburn

Heavy Breaking

A very nice and impressive breaking demonstration by Shihan Paul Turner. 





Paul received his 6th degree Black Belt last Saturday May 15 in Dothan

Respect and Manners

We had a great Karate Seminar this last Saturday May 15 from 11:00 a.m. to 3:00 p.m. at the Yoshukai Dojo in Dothan. Our instructors were Sensei Toyama - 8^th degree, and Culbreth, 7^th degree, the 2 directors of our WYKKO Organization. This seminar, open to all Yoshukai Karate Black Belts was free.

We spent 1:30 with Sensei Culbreth on Sho no Kun Dai, took a short break for snacks, then spent another 1:30 with Sensei Toyama on Tensho Dai. After that, people who had tested during the last winter camp received their belts. Among them, Mr Turner and Mr Page received their 6^th degree. Congratulations to them and the others who tested and passed.

Less than 15 people attended the seminar. This is surprising. Of course, some of us had other commitments, familial obligations, or simply are living too far and cannot afford to drive 4 to 5 hours back and forth on a Saturday for a 4 hours training session.

Still, some people drove more than 4 hours to be present – one of them even got a ticket while he was speeding back toward Dothan after he realized he had missed the exit on I 10 by 50 miles... Sensei Toyama himself drove 3 hours all the way from Pensacola.

No student or instructor from the numerous Yoshukai dojo located less that 2 hours from Dothan showed up. This was surprising, and unfortunate. It demonstrates a lack of interest in trying to improve one's Karate as well as a lack of appreciation for the efforts our directors put into training us. I have been part of several Martial Arts organization, and I can say without doubt that WYKKO is the best. In their constant effort to promote Yoshukai our directors have built a World Class organization, and wanting to improve it, they pay great attention to the wishes of students and instructors. They are also treating all instructors very well. The least we can do is to return their consideration by showing our respect and appreciation.

When a 7th and 8th degree Black Belt offer a free seminar, all instructors in a radius of 100 miles should be there. Choosing not to do so simply demonstrates a lack of respect and manners.

With such an attitude, how can an instructor ask a student to be dedicated in his practice ?

The Fourth Form - 4 Winds Tai Chi - Group Practice

A video of the Fourth form of 4 Winds Tai Chi. In this form, as well as in the Long and Fourth form, we use the same defensive moves we used in the Short form, in the same order. These moves are executed on the Left then on the Right side, so we actually are performing 5 different defensive moves :

• High Block (Jodan Uke)
• Outside Middle block (Chudan Soto Uke)
• Knife hand block (Shuto Uke)
• Low block (Gedan Uke)
• Inside Middle block (Chudan Uchi Uke)

In this 4th form, we insert counter moves after each one of the blocks - Arm or Wrist locks. 

 The Fourth Form was basically designed for fun, and practice of Actual Arm and Wrist locks. The defensive moves are practiced in the same orders as in the three previous forms, but the directions have been changed. It is a more "martial" form and can really be more appreciated with some actual knowledge of the waza which are executed. 


On a non martial standpoint, its practice is also aimed at improving  spatial orientation.

Self Defense against Knife

The 3 first Self defense videos by Shihan Mike Leverett and Travis Page from the YOSHUKAI Dojo in Auburn, AL.

 

Visit them on Youtube SHIHANGODAN5 Channel

Segment 2

Segment 3

As everyone is now able to post on the Net, videos of every kind flourish. In matters of Martial Arts, good things are available, unfortunately usually burried under layers and layers of very poor and dangerous stuff demonstrated by self appointed masters and commented by equally self-appointed "Experts".

The Waza (Techniques) here demonstrated by Shihan (*) Leverett and Page are efficient and legitimate. This does not mean they are safe. Safety comes with long practice and training, and even there, there is no such thing as total safety. 

Enjoy

Note : Shihan is a term often used in Japanese martial arts as an honorific title for expert or senior instructors. In Yoshukai Karate, it is attributed by the Grand Master of the organization Kaicho Yamamoto to instructors having at least achieved the level of Yondans (4th degree Black Belt) and taught at this level for several years.

Yoshukai Iai Video

Taped yesterday - the Yoshukai Iaido Kata - these 8 waza were selected by Yamamoto Sensei from the Niten Ichi Ryu curriculum.




Particularities of these moves are the nukitsuke with inverted grab in Waza # 3 and 6 which allows a fully vertical upward draw and the hard Chiburi realized by twirling the blade in the front and then striking the tsuka with the fist.