It sometimes takes a punch in the nose...

How many times have I told beginners in Karate to keep their hands up when sparring - and their hands go down. Always, it never fails.

And the one day they get popped on the nose - sometimes it breaks it, sometimes it bleeds - they remember and all of a sudden their hands stay up. Some of them even tell me I was right...  Well guess what ?

By the way, the same thing happened to me a long time ago. Since then I have consistently kept my hands up...

"When you are ready, the teacher will show up".

Actually, the teacher might have shown up earlier, but you did not pay attention. It is the same with teachings. You may have been told how to do it, maybe times and times, but until you really needed to learn, you just did not listen. 

Last June I had the honor to demonstrate Tameshigiri in front of Soke Katsuoh Yamamoto and a vast crowd assembled to celebrate the 50th anniversary of his founding Yoshukai Karate. 

I had planned to demonstrate Rokudan Giri - a classical 6 cuts exercise. 

1. Left to right Diagonal downward cut
2. Right to left Diagonal downward cut
3. Right to left Diagonal downward cut
4. Left to right Diagonal upward cut
5. Right to left Diagonal downward cut
6. Left to right Diagonal upward cut

I was cutting through a roll made of two tatami mats

It all went well for the first three cuts, then on the fourth one, the target got airborne and fell from the stand. Only 2 layers of straw had not been cut.

I stopped there as if this was exactly what I intended to do, and everybody - but me - was satisfied and impressed with my demonstration !

Two weeks later as I discussed the event with Patty Heath Sensei my instructor from the Big Green Drum Dojo in Pensacola, she asked me if I had lined my back hip with the target. I told her I had not, for nobody had ever told me to do so. To which she suggested that probably it had been told to me, but I had not remembered it. And very likely this is what happened. 

The next morning, I installed a double mat on the stand, aligned my back hip on the target, and performed a nice and clean rokudan giri ! 

I was so pleased and impressed that I cut a second target, with the same success !

Morals of this story :

• If you want to cut, line up your back hip with your target...
• Always listen to Sensei.
• If you are the Sensei, sometimes it may be better to let a student struggle with a problem before you tell him how to solve it.

Train hard

Metsuke - where to look at the end of a kata

Metsuke - Where do you put your eyes during practice ? Do you focus toward your opponent's eyes, at his hands, his chest, or do you stay unfocused on the whole background ? 

The answer to these questions is "YES"... No kidding - but we will get to this later. 

For today lets get in to the devilish details...

Where do you focus your eyes at the end of a kata ? 

Your eyes should be looking down in the direction of the last fallen opponent.

Now you need to retreat back to the place you started from. You still need to display a certain level of Zanshin. So where do you look ? 

From our last class at the Dothan Dojo with Patty Heath Sensei this is what I gathered : 

• For all regular MJER kata (Shoden, Chuden, Okuden sets) you should keep looking slightly down until you are back where you started. Then when your Right hand leaves your tsuka, your eyes look up (Horizontally)

• For Batto-Ho Shoden & Okuden : keep your eyes down until your back foot gets level with the front one - after noto. Then, raise your eyes.

 

Please note that only your eyes are moving, not your head which should always stay vertical. Do not let your head lean up or down, only your eyeballs should move.

Iai in Auburn

Travis Page Sensei invited me to teach a MJER Iai class at his Auburn Yoshukai  Karate Dojo yesterday, February 12, 2013.

Altogether 9 Yoshukai Karate students attended the class. Some of them had already trained with Patty Heath Sensei at the Dothan Dojo. Some of them were new to the Way of the Sword. 

We spent 2 hours together. First wie practised basics :  Nukitsuke & Kirioroshi, Chiburi & Noto; then the first 2 moves of the Batto-ho : Junto sono Ichi and Ni. 

Later on we switched to Kenjutsu with the first 2 Katachi waza : Deai and Tsukekomi.

When teaching to beginners, I concentrate on the big picture - I want the student to try to memorize the overall "form" of the waza. I am not pushing for perfection for I believe it is counterproductive at this level. I want the student to get an idea of what the whole move is about - so he can picture  himself in the action, and enjoy it !  I believe it is more important than boring them to death asking them to perform a perfect cut.